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We live in a world in which we are often encouraged to think in terms of opposites. Stillness or movement. Rest or activity. Being or doing. We are invited, sometimes quite unconsciously, to choose one over the other, as though they were opposing forces, each competing for its place in our lives.


But what if we were to look at these apparent opposites differently? What if stillness and movement were not in opposition, but two interrelated aspects of a greater whole?


When we observe the natural world, we begin to see that stillness and movement are rarely as separate as they might first appear. Beneath the apparent stillness of a landscape, countless processes are unfolding. A tree stands quietly, yet sap rises, leaves turn towards the light, and roots extend into the earth. Even in the stillness of a moment, life is moving. And within movement, there can be a profound stillness.


Perhaps the distinction lies not in whether something is moving or still, but in the quality of our presence within it.


Stillness offers us an opportunity to pause, to listen, and to become receptive to what might otherwise go unnoticed. It creates space for our experiences to settle, for our perceptions to deepen, and for something new to emerge. Without such moments, we can become caught in a succession of reactions, constantly moving from one thing to another without allowing ourselves to fully encounter what is happening.


Yet stillness, too, has its limitations when separated from movement. Reflection can become withdrawal; contemplation can become a way of postponing the very encounters that might bring greater understanding. We can remain in the realm of possibility without ever allowing our insights to find expression in the world.


Movement, on the other hand, brings us into participation. Through movement we explore, create, respond, and discover. We give form to what has been quietly taking shape within us. Sometimes it is only by taking a step into the unknown that we discover what we could never have understood through reflection alone.


And yet movement without stillness can become restless activity. We may be doing a great deal without knowing what truly matters to us. When every pause is filled and every moment demands our attention, we risk losing contact with the deeper currents that might otherwise guide our actions.


The question, then, is not which of these qualities we should cultivate, but how we recognize what is called for in any given moment. There are times when we need to step back, to listen more deeply, and to allow understanding to emerge. At other times, we need to move forward, to take a risk, or to engage with something we have been avoiding. And there are moments when stillness and movement seem to coexist: when we act without losing our centre, or remain inwardly quiet while fully participating in life.


I find myself returning to this relationship in my art. The interplay of stillness and movement is not simply a matter of what is visible in an image, but something that can be sensed in the space between them. A figure may appear suspended in a moment, yet there is a sense of movement continuing beyond what we can see. An abstract form may suggest an opening, an emergence, or a passage into something not yet known. What appears still is not necessarily static, and what moves does not necessarily disturb the stillness from which it arises.


Perhaps this is also true of our own lives. We are continually being shaped through our encounters with one another and with the world around us. There is a rhythm of receiving and responding, listening and expressing, allowing and participating. Neither is sufficient in isolation. Each gives meaning and possibility to the other.


I wonder what might change if, rather than seeing stillness and movement as opposing forces, we began to experience them as a living polarity -  distinct, yet deeply interconnected. Instead of striving to find a fixed balance between them, perhaps we might become more attentive to their changing relationship, allowing each to come forward when the moment calls for it.


Might this be one way of becoming more present to life? Not by choosing between stillness and movement, but by allowing both to inform how we meet each moment: receptive enough to listen, and responsive enough to act.


And perhaps, in that meeting, something else becomes possible: a way of being in which stillness does not mean withdrawal, movement does not mean restlessness, and both become expressions of a more deeply integrated presence.

 
 
 

Visions of a Sustainable Future, presented by Modular Commons, is an open-air Augmented Reality exhibition that maps creative solutions for a just, regenerative tomorrow across the public spaces of COP30, the UN Climate Change Conference in Belém, Brazil. Using a walkable AR map and a “living library” of projects - from artwork and architecture to community campaigns - the project brings imaginative, site-anchored interventions into dialogue with delegates and the wider public, inviting visitors to pause, explore practical ideas, and imagine how inner and collective shifts can shape a resilient future.


At the heart of the the opening speech by the president of Brazil at the Leaders’ Summit, was the Brazilian notion of Mutirāo, a spirit of collective effort and solidarity. This shared purpose, he said, can bridge divides, inspire cooperation and drive progress where it is most needed.


Transformation
Transformation

My artwork Transformation will be shown at the exhibition. It is a contemplative artwork that invites a quiet inner shift as the seed of wider collective change. 


The piece shows two human figures in transition, partially dissolving into or emerging from a textured field. Their edges are porous and fluid, neither fully formed nor fully gone. The abstract lines and constellated markings across their bodies suggest energetic pathways, connections forming or reconfiguring and a shift in identity, perception, or state of being. 


The muted, earthy-grey background evokes liminality - a space between worlds, neither past nor future. Subtle hints of turquoise, red, and light infusions appear like life force or signals of awakening within the figures. The lack of sharp boundaries feels like the dissolving of an old self-pattern and the emergence of a new one.


At a moment when COP30 calls for implementation and systemic transitions, this work offers a gentle yet essential reminder: the futures we build externally are shaped by the consciousness we cultivate within.


The piece unfolds through Augmented Reality  as an intimate moment of activation, encouraging viewers to pause, listen inwardly, and sense an opening towards greater clarity and connection.


Transformation proposes that sustainable futures emerge when personal awareness evolves into collective resonance. As individuals shift towards empathy, presence, and a renewed relationship with the Earth, the ground for collaborative, regenerative systems can take root. Within the intensity of COP30, the work offers a reflective space where inner change and collective transformation meet - inviting both to unfold.


Through Augmented Reality, the viewer is gently drawn into this process, suggesting that personal awakening can inspire collective transformation and more sustainable ways of relating to each other and the Earth.


The exhibition runs from November 10 - 21, 2025, in Belém, Brazil. 

 
 
 

Updated: Sep 25, 2025



Augmented Reality allows what is intangible to become present, and what is far away to feel close.


Augmented Reality occurs when digital works are layered into physical spaces. By doing so, the gap between your here and my here is bridged, as is the gap between you and me, between your reality and mine. Not only space but also time zones are bridged. In a shared,  augmented space, what separates us begins to dissolve. 


I am honoured that my iPhoneart will be shown in AR in “Balanced Forces: NYC”. This will be an augmented reality public art walk taking place in the heart of New York City on International Peace Day, 21 September 2025.


On that day, the city will become a canvas for voices and visions from around the globe. Visitors will have their realities augmented not just digitally, but emotionally.


Included might be the artworks of artists from unstable or unsafe environments where traditional exhibition opportunities are way out of reach. Physical galleries may be inaccessible, resources scarce, and travel impossible.


On International Peace Day artists in the exhibition and all those who join the public art walk, will be reminded of our shared humanity. 


As strangers pause, lift their phones and enter the world of each artist and encounter their vision, they will see something that is not bound by walls, borders or limits.  They will experience artworks that  have the ability to dissolve distance and to connect people who many never meet in person. They will encounter art that is not confined to gallery walls or limited by geography. 


Art can live in augmented reality, rising in public spaces for anyone to encounter.  


Color Healing
Color Healing

As an iPhone artist, my work explores the interplay of stillness and movement occurring simultaneously. Color Healing is a visual meditation, inviting viewers to experience color as a vibrational force that can restore balance and foster peace. The artwork offers a moment of quiet contemplation amidst motion, and is a reminder of the healing potential found in presence and perception.


The Balanced Forces: NYC art walk takes place between 11:00 AM and 3:00 PM EST in Bryant Park and the starting point is Margaritaville Resort, 560 Seventh Avenue, New York  Live Streaming Event. 1 October 2025 > for info

 
 
 

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